Dbq Regarding the Literary Responses to World War 1 from 1914 to 1928 Essay

Historical sceneWorld War 1 (1914-1918) was a struggle that was inevitable, but almost entirely underestimated. As the contend dragged on for four years and millions of lives were expended in the name of victory, homosexualy were greatly impacted culturally, mainly Europeans and Americans. In what was known as the woolly generation, many poets and writers developed new forms of literature in response to the annihilating consequences of the war.DBQ professional personmpt Identify and analyze the various European and American literary responses to World War 1 created during the war and in the decade after the end of World War 1.Document 1- first Paul Valry, French poet and critic, The Crisis of the Mind, evaluation of European mind and civilization (1920). --The storm has died away, and still we atomic number 18 restless, uneasy, as if the storm were about to break. Almost all the affairs of men remain in a direful uncertainty. We think of what has disappeared, and we are almos t destroyed by what has been destroyed we do not know what depart be born, and we fear the future, not without reason Doubt and disorder are in us and with us. in that respect is no thinking man, however shrewd or learned he may be, who can hold to dominate this anxiety, to escape from, this impression of darkness. -Document 2- radical Roland Leighton, British soldier serving in France, letter to fianc Vera Brittain (1915). --Among this chaos of twisted iron and splintered timber and shapeless earth are the fleshless, blackened get up of simple men who poured out their red, sweet wine of youth unknowing, for nothing more tangible than awarding or their Countrys Glory or anothers Lust of Power.Let him who thinks that war is a glorious golden thing, who cognises to roll forth stirring words of exhortation, invoking Honour and Praise and heroism and Love of Country. Let him look at a little pile of sodden grey rags that repair half a skull and a shine bone and what might direct been its ribs, or at this form lying on its side, resting half-crouching as it fell, supported on one arm, perfect but that it is headless, and with the tattered garment still draped around it and let him realise how grand and glorious a thing it is to father distilled all Youth and Joy and Life into a foetid heap of hideous putrescence. -Document 3-Source Ernest Hemingway, American author and expatriate, The Sun Also Rises, expatriate character adventure (1926). --Youre an expatriate. Youve lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed with sex. You throw off all your time talking, not working. You are an expatriate, see? You hang around cafes. -Document 4-Source F. Scott Fitzergerald, American writer, This Side of Paradise, examines post-war morality with fictional love plot (1920).-I simply state that Im a product of a versatile mind in a restless generation-with all reason to throw my m ind and pen in with the radicals. Even if, deep in my heart, I conceit we were all blind atoms in a world as limited as a shot of a pendulum, I and my sort would struggle against tradition try, at least, to dis derriere old cants with new ones. Ive thought I was right about life at various times, but faith is difficult. oneness thing I know. If living isnt seeking for the grail it may be a evoke amusing game. -Document 5-Source Eleanor Chaffer, French woman, poem Lost Generation published in a newspaper (1921). --Look not for the flower of innocence in these eyes,-Gravely and silently they have looked on death,-Seen terror rain down from unfriendly skies,-Learned while yet infants how frail is mans breath.-They have turned from a landscape where the ground-Is poisoned and destroyed give them a take on-And it is held in their hands with no sound-Of childish mirth. This solemn-faced small boy-Is older than his father in his face,-Wisdom is the ghost that will not leave-The world to him is a wild and dangerous place-No covert here where he may hide and grieve.-Look well on these, and on the world we made-As heritage for them and be afraidDocument 6-Source Wilfred Owen, incline poet and soldier, Dulce et Decorum Est, addressed to his mother, written 1917, published later (1920) --If you could hear, at every jolt, the bloodCome gargling from the froth-corrupted lungs obscene as cancer, bitter as the cudOf vile, incurable sores on innocent tongues,My friend, you would not tell with much(prenominal) high zestTo children ardent for some desperate gloryThat old lie Dulce et decorum estPro patria mori-Document 7-Source D.H. Lawrence, English novelist and poet, Lady Chatterleys Lover, fictional protagonist has a love affair, examines structural morale (1928). --Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather t ough work there isnow no smooth road into the future but we go round, or scramble over the obstacles. Weve got to live, no matter how many skies have fallen. -Document 8-Source Kathe Kollwitz, German expressionist artist, The Survivors (1922), by Kathe Kollwitz-.