Scene 7, 8, 9, and denouement Staging Notes Lighting: Light/ unrelenting Lighting should gradually begin to fade when Monika tells Mobius that all they post is each other; ***Mobius funnies - crystalizely/ bad: - the fade of the inflammation is exemplary because it begins when Mobius realizes that he is going to kill Monika. He does not spring away his intentions, thus there is the brush between loyalty and reality with this technique. Mobius and Monikas silhouettes should no longer be visible by the time Monika is dead and Mobius is kneeling side by side(p) to her body. ***Mobius hocus-pocus - discharge/dark one side of Mobius strip is plain present in that he had just polish sullen Nurse Monika; his reason for her death is kept secret until say two. A shaft of light would shine in from Mobius direction and the familiar wash on the degree would go sustain to habitual (100%) as he walks out. ***Mobius strip - light/dark: the light coming from Newtons room is artificial there is once again a conflict between truth and falseness (Newton fakes his identity); he in like manner tries to shine a light on the situation (reveal the stumble of Nurse Monika) Setting and hold: Truth/Untruth Chandelier: it would not produce light but would pretend light. ***Mobius strip - truth/untruth: just about truth in the asylum that is hardly notice, hidden grand French doors, with cherry drapes.
***Mobius strip - truth/untruth: represent dark, untruth because this was where the murders took place Rooms only used as a backdrop, leaves room for the actors to move nearly on s tage and so the stage does not looking for ! too mares nest due to the chairs, table, couch etc.***Mobius strip - truth/untruth: cannot see into rooms, secrets and untruth Character Development: Reality/ unreal Einstein: seems penitent that he killed Nurse Irene and wonders if he could... If you involve to get a full essay, order it on our website:
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